“The Grey” is a 2011 survival film written, produced and directed by Joe Carnahan with Liam Neeson, Frank Grillo and Dermot Mulroney among its cast.
The film was also directed by Joe Carnahan and stars Dallas Roberts, Joe Anderson, and Nonso Anozie. Ian MacKenzie Jeffers, the author of the short tale “Ghost Walker,” collaborated with Joe Carnahan on the screenplay.
Following an aircraft crash in Alaska, a group of oil workers must battle multiple packs of Canadian Grey Wolves, which are the film’s title, as they chase them in the frigid weather.
Positive reviews and appreciation for its philosophical undertones greeted the film’s release on January 27, 2012. Overall, it brought in 81 million dollars.
- Sir Liam Neeson as the title role
- Frank Grillo portrays John Diaz in this film adaptation.
- starring Dermot Mulroney as Jerome Talget.
- Pete Hendrick is played by Dallas Roberts.
- Tod Flannery (Joe Anderson)
- Jackson Burke, played by Nonso Anozie
- Luke Lewenden, played by James Badge Dale
- This is Ben Bray as Dwayne Hernandez
- As portrayed by Greg Nicotero in the role of Duke Chavis.
- Peter Falk as Simon Cimoski in the film
- Ana Ottway, played by Anne Openshaw, is a fictional character.
What Happens to The Grey?
Ottway and the Alpha wolf face off in the Grey’s tale, leading to the final showdown. The Grey was billed as an action film with Neeson playing a tough guy and taking down the predators one by one in a slow-motion shoot-off.
The Grey’s trailer shows Ottway and a wolf charging at each other in a battle scenario, so it’s easy to assume that the viewers will assume the same thing.
When the credits roll, we can see Ottway getting ready for fight, but it’s unclear what will become of him. A post-credits scene portrays the fighters in the aftermath of their fight, giving the audience a feeling of closure.
In a similar vein to the dying wolf Ottway touches affectionately in the beginning of the film, the Alpha lies on the ground breathing raspily.
Final image shows Ottway’s head on the wolf’s midsection with the back of his head resting on its belly. His stillness makes it hard to tell if he’s dead and awaiting the inevitable or merely fatigued and pondering what comes next.
Consider the movie’s bigger themes of spirituality, faith, and mankind’s ongoing existential struggle to discover the meaning of existence in order to grasp the ambiguity in this scenario.
As a Result of The Finale of “The Grey,”
Until he finds he’s strayed into the wolves’ den in The Grey’s finale, Ottway appears to be resigned to his fate. This is where Ottway ends up, despite all his efforts to escape it throughout the movie.
Upon entering the den, he is confronted with the reality of death. In his vision, he meets his wife again and she encourages him to “be calm.” She’s on her deathbed, but her remarks indicate that he shouldn’t be afraid for her.
These lines are stated in a different context in The Grey because the viewer does not yet know that she is deceased. She leaves Ottway when he says she does so on her own volition. To make sense of his situation, the hallucinatory sequences are understood as a conversation he’s made up in his head between two fictional characters.
A transformation in his demeanor occurs, as does the activation of his natural urge for survival. On the plains, he picks up empty liquor bottles, straps them to his hand, and smashes them against a rock. His other hand is occupied with a knife. First impressions are formed as the two Alphas of The Grey square off.
There’s an initial smile on Ottway’s face as he reads his father’s poetry again, but the ferocity in his gaze rivals that of his opponent. The screen goes black as he prepares to strike.
The final fight sequence was removed by Carnahan as a result of a conversation with Roger Bart, the film’s editor, who informed the director “The dramatic climax has already occurred. Attempting the wolf fight will feel needless now that you’ve done the first item. You’ll feel like you’re working too hard at first.”
It is left to the audience to decide the fates of two warriors. Wolves and pack animals are known for their fierce competition for survival and control, and this wolf appears to be dead.
Whether Ottway is still alive or not is unknown; even if he managed to kill his opponent, does that mean he’ll be spared the fight against any new Alpha competitors who emerge? Will they disperse or surrender? It doesn’t matter.
In the words of his father’s poem, life is a succession of struggles that never stop. Is death really a physical thing? No, it’s a constant battle to overcome feelings of loss, pessimism and loneliness. The Grey’s real message is about how people react. A fight to the death or surrender is an option. The decision is up to them.
One of My Favorite Poems
A new round of combat has begun.”
To my knowledge, this is the last good fight I’ll ever participate in.
On this day, we live and die.
I will either live or die on this one day.
During a “winner stays alive” combat in the movie, a man who appeared to be depressed, who wrote a suicide note “without a purpose” to his dying wife, who shouted at the insensitivity of God, and who declared himself an atheist, but clarified, “I wish I could believe or have faith;” recites the above lines, it is clear that he will not give up without a fight.. He doesn’t care if he wins or loses, either.
It’s all he cares about is a decent fight “to live and die” right now.
Evidently, our consciences are on Ottway’s side and hope he returns to his wife in good health.