Everything Everywhere All at Once Ending Explained: Jobu Tupaki and the Everything Bagel

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EVERYTHING EVERYWHERE ALL AT ONCE ending (2)
The video provides a stunning representation of the blending of Chinese and American cultures. Similar to “Minari,” we witness an immigrant family struggle to support themselves and form relationships.
The members’ disconnection is comparable to the “Ghost Town” story, in which outsiders arrive in a foreign country and become lost. The underlying nihilism of the current Gen Z, identity crises, broken relationships, and the existential fusion of all these difficulties are all starkly observed.

Jobu Tupaki and the Everything Bagel

The confrontation between Evelyn Wang (Michelle Yeoh) and Jobu Tupaki (Stephanie Hsu), a clone of Evelyn’s own daughter Joy who acquired multiversal abilities as a result of Alphaverse-experimentation, Evelyn’s and the Alphaverse agents takes place in an IRS building during the film’s climactic scene.

Tupaki thinks that nothing really matters in any universe because of her ability to perceive and experience everything simultaneously everywhere. Therefore, her major objective is to literally represent everything not mattering by using an everything bagel to suffuse the entire multiverse into an endless void of nothing.

Waymond Wang and the Power of Love and Kindness

Evelyn’s husband Waymond (Ke Huy Quan) offers her another perspective when it appears that she has fallen victim to Jobu Tupaki’s nihilism. Waymond discovers a more flexible and upbeat belief than being lost in the turmoil and limitless nothingness of the cosmos.

Waymond says to Evelyn in a world where she becomes a Kung-Fu action star, “You tell me it’s a horrible world and we’re all racing in circles. I am aware of that. I’ve spent the same number of days on this planet as you have.

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He is aware of how Jobu Tupaki, when confronted with such impending doom and gloom, can become hopeless and pessimistic. However, he discovers a more profound perspective. Waymond claims, “I’m not being foolish when I choose to look on the bright side of things.

It is tactical and essential. It’s how I’ve developed the ability to endure despite everything. He describes himself as a “warrior” in the end, and it is this optimism that persuades Evelyn that Jobu Tupaki is mistaken and that there is more to life and existence than a void of emptiness.

In the end, Nothing Really Matters Except for…

When Evelyn finally gets to Jobu Tupaki (who is also her daughter Joy), they all make an effort to save him from the vacuum, including Waymond and even Evelyn’s estranged father Gong Gong (James Hong).

EVERYTHING EVERYWHERE ALL AT ONCE ending (2)

They all find comfort in maintaining their family despite the generational tragedy between Gong Gong and Evelyn, and now between Evelyn and Joy. However, Jobu Tupaki needs a little more persuasion.

As Evelyn seems to be prepared to let go of her daughter, she expresses her love for her even more fervently and explains why that is sufficient meaning for them to cling to. Evelyn quotes Jobu Tupaki’s comments and viewpoint, saying, “Perhaps it’s like you said.

Perhaps there is some fresh information out there that will reduce us to even smaller pieces of garbage. Something that explains why, despite all the hubbub, you continued to look for me.

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However, Evelyn assures her daughter, “no matter what, I still want to be here with you. I still want to be here even when science and technology breakthroughs make people appear as meaningless as some rocks.

I’ll want to be here with you always, always. Joy says, “Here, all we have are a few specks of time where any of this actually makes any sense.” Joy isn’t yet ready to accept this. But Evelyn adds, “Then I will cherish these tiny specks of time,” refusing to let go of her daughter.

The two embraces and Jobu Tupaki decides to give up the empty nothingness of the everything bagel in favor of something worthwhile thanks to Joy’s rekindled love for her mother.

Plot Synopsis: Everything Everywhere at Once

Because of Daniels’ wild imagination, “Everything” assumes countless personalities, attitudes, and sentiments. The plot revolves around a covert mission that Evelyn (Michelle Yeoh) must carry out in the actual world in order to prevent the annihilation of all the universes.

It is fundamentally stylized as a multiverse/sci-fi thriller. She has to defeat Jobu Tupaki, an omniscient being that resembles her daughter, in order to accomplish this. If Evelyn doesn’t fight through, the democratization of power that has already been gained could be destroyed.

However, a mother’s love is not so weak as to be susceptible to such claims. This Evelyn, who is thought to have failed more than any other Evelyn in all the universes put together, cuts through the chaos and sets off on a journey to save her daughter. All the Things That We Don’t Actually Happen is another Netflix original that was published this year.

Becoming a Universal Being

By the end of “Part I: Everything,” we’ve discovered that Jobu Tupaki is the Alphaverse counterpart of Evelyn’s daughter Joy and is the universal being that Evelyn has been hired to defeat (Stephanie Hsu).

EVERYTHING EVERYWHERE ALL AT ONCE ending (2)

Alpha-Evelyn put Alpha-Joy through rigorous verse-jumping tests, and the result was Jobu. Splitting one’s awareness between several different selves, in the words of her father Alpha-Waymond (Ke Huy Quan), is like making a crack in a clay pot.

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With the right training, the cracks can be repaired, but if they occur too frequently, they will cause irreparable damage.

Explained the Ending of Everything Everywhere All at Once:

After recognizing that she wants her daughter back, Evelyn uses her knowledge of all universes at once to repel Jobu and Gong Gon’s army of men by assisting them in finding happiness.

Evelyn describes the heartache she felt when her father abruptly disowned her and let her leave. He never once thought about the idea that Evelyn was actually his daughter. Evelyn made every effort to address her flaws and poor parenting with Joy because she did not want to make the same error again.

They exchange heartfelt words before making them up in an emotional sequence. The resolution takes place in a world where everyone in the family is being who they are, which is imperfect. All at once, they had put their differences behind them, accepted their shortcomings, and discovered contentment.

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