American director David Fincher helmed the cast of Brad Pitt, Edward Norton, and Helena Bonham Carter in the 1999 film Fight Club.
Author Chuck Palahniuk’s 1996 book of the same name served as inspiration for this film. The unnamed narrator, played by Norton, is an office worker who is unhappy in his position.
Together with soap salesman Tyler Durden Pitt, with whom he forms a “fight club,” he gets involved with homeless singer Marla Singer and they both end up in a tumultuous relationship with Bonham Carter.
Laura Ziskin, a producer at Fox 2000 Pictures, has optioned a novel by Chuck Palahniuk, and she has hired Jim Uhls to pen the screenplay.
Due to his interest in the material, Fincher was chosen to direct the film. Together with Uhls, he worked on the script, and he also consulted the cast and others in the film industry for input.
It was shot between July and December of 1998 in and around the Los Angeles area. The conflict between Generation X and the value system of advertising was a central theme, and he and the cast drew parallels to Rebel Without a Cause 1955 and The Graduate 1967.
An expert in vehicle recalls, the Narrator feels unfulfilled by his career and material possessions and suffers from chronic insomnia.
He attempts to overcome this by joining fake disease support groups. As soon as Marla Singer, another impostor, starts going to the same groups, his peace of mind is shattered.
A compromise is reached whereby the two will alternate between the two events. The narrator has a chance encounter with soap salesman Tyler Durden while flying back from a business trip.
After returning from work, the narrator discovers that an explosion has completely destroyed his apartment and all of his belongings. He calls Tyler, who agrees to meet him at a bar, where he vents about his recent loss of possessions.
To him, Tyler explains, consumerism is a prison. The two get into a fistfight in the parking lot after he requests a hit from the Narrator.
They feel better after doing it and plan to do it again in the future. After meeting Tyler, the narrator decides to move into Tyler’s house, a large, rundown residence in an industrial neighborhood.
More fights break out outside the bar, drawing more and more male onlookers. Fights are then moved to the basement of the bar, where the eponymous Fight Club meets regularly.
After Marla takes too many pills and calls the Narrator for help, he does nothing and leaves the phone, still ringing with Marla on the other end, perched atop the phone stand not hanging up the call.
Tyler walks up to the phone, grabs it, and rushes over to her place of residence to rescue her. Despite the annoyance of the Narrator, they start having sexual relations.
The narrator has been warned by Tyler not to mention him to Marla. The narrator blackmails his boss into giving him the company’s assets so he can quit his job and devote himself full-time to Fight Club.
Robert “Bob” Paulsen, a man with testicular cancer whom the Narrator had met at one of his support groups, is one of the many new members joining Fight Club.
Without the help of the Narrator, Tyler recruits them to join his new anti-materialist and anti-corporate organization, Project Mayhem.
To the growing dismay of the Narrator, the group has taken to engaging in acts of vandalism with a subversive bent.
The Narrator accuses Tyler of excluding him, and Tyler eventually admits that he was responsible for the explosion that occurred in the Narrator’s apartment.
After Paulsen is shot dead by police while trying to escape a sabotage operation, the narrator tries to put a stop to the project after Tyler vanishes one night.
By following Tyler’s paper trail to various cities, he learns that Project Mayhem has spread across the country. Mr. Durden is the name a city project worker gives the narrator. The narrator calls Marla in a state of confusion and learns that Marla, too, thinks he is Tyler.
When Tyler reappears in the hotel room, he has a new haircut and wardrobe and explains that he and the Narrator are both dissociative personalities; during the time they were both unconscious, the Narrator took on Tyler’s identity.
The narrator loses consciousness. His return to the residence reveals Tyler’s scheme to eliminate debt by obliterating institutions housing credit card records. He tells Marla he’s sorry and that she needs to be careful, but she’s had enough of his double-talk and ignores him.
He tries to report it to the police, but the officers are all in on the Project. In one building, he tries to defuse the bombs, but Tyler takes him down.
At gunpoint on the top floor, the Narrator realizes that Tyler is actually him since he and Tyler are the same person.
He aims and fires it through his cheek into his mouth. After Tyler’s death, the narrator no longer sees him in his mind’s eye.
Members of Project Mayhem bring Marla, who they kidnapped, inside. The Narrator and Marla make up, and the two of them stand together, holding hands, as the buildings around them explode and collapse.
The narrator implores Tyler to end it. After a brief argument, the Narrator cools down. As a result, he understands that Tyler does not exist.
The gun that Tyler had been holding was actually in his own hand the whole time. The transfer of the gun is depicted for our viewing pleasure. “Tyler, I want you to really listen to me, OK,” the narrator says, pointing the gun at himself.
The blinders are off. Now the narrator pulls the trigger, sending the bullet through his cheek. However, he has manipulated the Tyler persona to believe that the bullet entered the brain.
Tyler’s head is blown open, and he collapses to the ground, dead. When the Narrator reaches this point, it’s because he or she has finally defeated Tyler’s character. In the face, the narrator is bleeding profusely.
The group is concerned for him and hopes to find him medical assistance. His assessment is that things appear direr than they actually are. As Marla looks at him in disbelief, we can all see how shocked he is.
He blames himself and claims he did it. As a result of working with Tyler, he is now able to withstand extreme discomfort. He reassures Marla, “Trust me.
It’s all going to work out. In retrospect, it was a very peculiar time for me when we first crossed paths. There are several buildings nearby, and they all blow up and collapse as they watch.
The Narrator was unable to halt Project Mayhem, but he was successful in eliminating the Tyler persona. The narrator is starting down a different road in life.
Despite the fact that Tyler is still financially supported by his company, he must now begin the difficult process of cleaning up the mess he has made in order to move on with his life.