The Roman Spring of Mrs Stone Ending Explained: The Films of Warren Beatty!

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The Roman Spring of Mrs Stone Ending Explained

British production company Warner Bros. released their love drama The Roman Spring of Mrs. Stone in 1961.

José Quintero helmed the film, and Louis de Rochemont and Lothar Wolff served as producers and associate producers.

Gavin Lambert and Jan Read adapted Tennessee Williams’s novel for the film. The film was shot by Harry Waxman and scored by Richard Addinsell.

Plot Summary

The Roman Spring of Mrs Stone Ending Explained

Famous American stage actress Karen Stone and her businessman husband are on a vacation in Rome.

Her multimillionaire spouse has a deadly heart attack on the plane. Karen opts to extend her time in Italy by reserving a high-end apartment in the Eternal City.

There is no point in her returning home. She decided to cancel her newest production of “As You Like It” by William Shakespeare because she felt she was too old to play Rosalind.

A year later, her procurer, Contessa Magda Terribili-Gonzales, introduces her to one of her professional gigolos, an attractive, well-dressed young Italian named Paolo.

Magda is always making plans, and she recently told Paolo that Mrs. Stone is just starting to feel lonely. There is no more than dinner and dancing between Paolo and Mrs. Stone.

She starts the affair after some time. She realizes her feelings for him, and he feigns affection. She had convinced herself that she is unique among the grown women he has known.

Her deception is bolstered by the fact that she gives him costly clothes and gifts—including a video camera—and pays his bills with charge accounts rather than really paying him. People start writing about them in tabloids.

The Roman Spring of Mrs Stone Ending Explained

It’s quickly apparent that Paolo cares solely about himself. Mrs. Stone’s possessiveness gets old for him, so he starts dating an American actress instead. Mrs. Stone looks out over her balcony and sees the ragged, suspiciously scary young guy who has followed her everywhere since the day she moved in.

Paolo has left her, the Contessa has made fun of her, and her one true friend, Meg, has left on a plane for New York.

She remembers what she told Paolo after he tried to scare her with a story about a middle-aged woman murdered on the French Riviera by someone she invited into her apartment, and she tosses the keys to her apartment down to him and walks back inside.

“Approximately three to four years is all that is required. A slashed throat would be a welcome convenience after that “.

A cigarette in hand, she settles in to wait. As his shadow fills the screen, the young man steps slowly inside the room and approaches her, hands buried deep in the pockets of his dirty coat and a slight smile on his face.

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Ending Explained

The Fading Beauty and The Rising Beast

The Roman Spring of Mrs Stone Ending Explained

Tennessee Williams often depicts the deterioration of youth and the accompanying emotional breakdown as another recurring theme in his works.

This is emphasized even more so by the fact that the harsh criticism Karen Stone receives for portraying a character that is considered too old for her is a major factor in her decision to retire from acting.

When she and Paolo finally go undressed, she insists on keeping the lights out of fear that he will find her unattractive, and this further damages her self-esteem. Still, Paolo’s soothing presence throughout the film allows her to gradually relax and open up to him.

She is taken by his unwavering confidence in his convictions and his unconditional acceptance of others.

The extent to which she has been deluded, and the power Paolo has gained, as a result, becomes plain only at the conclusion when it is clear that Paolo has no real love for her.

Despite the fact that Paolo leaves Stone in a terrible situation and with none of the money he had hoped to steal, his actions scream volumes about what he really steals from her: her dignity and sense of worth.

Her vulnerability, especially in the wake of her husband’s death, has made her yearn for intimacy.

Stone’s icy disposition is compounded by the fact that she mistook her meeting with Paolo for a genuine connection at first.

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The Mysterious Stranger Becomes More than A Friend

The Roman Spring of Mrs Stone Ending Explained

An anonymous homeless man appears at the beginning of “The Roman Spring of Mrs. Stone” and follows Stone throughout the movie, making for one of the film’s most memorable characters.

He is played by Rodrigo Santoro whom you may recognize from “Westworld”, although he never says a word and doesn’t seem like much of a threat, other than that one time he stuck his hand down his pants and stared at Karen Stone through her window.

But by the film’s conclusion, his function has shifted significantly. Stone is lost and grieving after Paolo and the Contessa leave. She spontaneously decides to hand the keys to her home to the man waiting outside by wrapping them in a napkin and tossing them to him.

He walks in, and the last shot of the video shows them getting close to one another, setting the stage for an intimate moment. It’s possible to view the stranger as an objective window into Stone’s innermost desires.

He is the only one who is interested in the real her and wants a glimpse inside the window of her actual humanity, regardless of her celebrity or wealth.

Stone may come to realize that by welcoming the stranger within and choosing to welcome him, despite the chaos she experiences with Paolo, she may have finally found the appreciation she has been yearning for all this time.

It could also lead to further heartbreak if her desire for love and companionship continues to cloud her better judgment.

It’s possible that this process will repeat itself. Whatever the case may be, the stranger serves as a bookend to the film, appearing at the outset as a lonely outsider and concluding as the object of a warm display of kinship and yearning.

Stone and the man, at first glance, appear to be worlds apart, but they may actually share more in common than they realize.

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