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Samaritan Ending Explained: Get All You Want to Know!

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Samaritan Ending Explained: Get All You Want to Know!

The Amazon original series “Samaritan” is a superhero movie fable about the duality of good and evil inside each of us. It’s reminiscent of the low-budget superhero movies that were popular in the ’80s and ’90s.

There is no imminent danger that might destroy the whole planet. There is no sky blue beam being sent into space. A young person at a crossroads and an elderly person mending his broken life are all that exist.

Joe, played by Sylvester Stallone, is a low-key trash collector who fixes damaged appliances in his flat. Sam, played by Javon Walton, is a young man on the cusp of learning the devastating consequences of a single mistake.

He comes to think that Joe is really the long-lost hero Samaritan, whom he worships. As is so frequently the case, the reality is more nuanced than at first glance.

Every comic book or graphic novel with a superhero at its center has to deal with the eternal struggle between good and evil. The ending of “Samaritan” doesn’t have spectacular special effects or the “good man” getting an award, but it does address this theme in depth.

The film’s relatively modest conclusion focuses instead on a shift in viewpoint. Finally, our main character realizes that things aren’t as black and white as he had thought. But with this new information, we can go forward with confidence.

Here, we’ll examine the several points in “Samaritan” that contribute to that shift and explain how and why they work together to create the film’s gratifying conclusion.

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What Happens at The End of Samaritan

The climax of Samaritan is set in motion by the reveal of the film’s central twist: protagonist Sam Cleary (Javon “Wanna” Walton) has been led to believe that Joe Smith (Sylvester Stallone) is the hero in hiding, while in fact, Smith is the villainous Nemesis, Samaritan’s twin brother.

After the youngster is abducted by Cyrus (Pilou Asbaek), a rogue supervillain named Joe discloses this information to both the kid and Cyrus in Cyrus’ warehouse, where Joe is attempting to rescue the kid.

The explosives Joe had hidden in the back of his wrecked trash truck go off almost soon after he reveals his true identity, setting fire to the warehouse. A shaken Cyrus grabs Sam as he attempts to flee the scene, and the henchmen pursue their goal of killing Joe.

They have little chance against a metahuman, and after a long chase scenario, the former antagonist eventually catches up to them.

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The film’s main adversary, Cyrus, fights against Joe with the magical sledgehammer Nemesis forged to destroy Samaritan; nevertheless, Joe emerges victorious after years of concealment, and Cyrus is apparently slain when he falls into a flaming pit (mirroring the death of the eponymous hero decades earlier).

samaritan ending explained

Joe is not in great health now that the battle is ended since his body has once again begun to overheat due to the usage of his abilities, putting his heart on the point of bursting.

Sam, quick on his feet, frees himself from his bonds, only to bust a pipe and drown the rehabilitated hero in the process. Joe’s eyes widened for a brief second as if to say the intervention had come too late, but then he opened them.

After having a serious talk with Sam, Joe ghosts him, forcing the teenager to escape the burning warehouse on his own. Sam goes outside to find his mom (Dascha Polanco) waiting for him, and reporters swarming around him, wanting to know what happened.

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The throng outside get agitated and start shouting when he announces that Samaritan is still alive thanks to his intervention. Sam spots Joe in the throng; Joe nods at the boy and then departs.

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I am a writer and researcher. My own writings in philosophy and social science have been reprinted in several languages and editions, but I've also collaborated with many authors on essays, articles, and occasionally entire volumes. It's always exciting to work with authors to help them expand THEIR concepts and make them as understandable and interesting to a larger audience as feasible for that bigger audience.

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