M. Night Shyamalan wrote, directed, and produced the 2008 thriller The Happening. An unexplained environmental disaster causes mass suicides in the film, which stars Mark Wahlberg, Zooey Deschanel, John Leguizamo, and Betty Buckley.
Released in the United States by 20th Century Fox on June 13, 2008, it premiered in New York City on June 10, 2008. It was panned by reviewers and only made $163 million in box office receipts worldwide.
- Elliot Moore is played by Mark Wahlberg.
- Alma Moore is played by Zooey Deschanel.
- Julian is played by John Leguizamo.
- In the role of Mrs. Jones, Betty Buckley shines.
- portrayed by Ashlyn Sanchez in the role of Jess
- Nursery owner Frank Collison
- Victoria Clark is the owner of a nursery.
- Josh, played by Spencer Breslin
- Jared is played by Robert Bailey Jr.
- “Private Auster” played by Jeremy Strong
- starring M. Night Shyamalan as Joey (voice only)
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The following Monday afternoon, once Annie has saved up enough money to have her abortion, she goes to see the woman whose contact information she had gotten earlier in the week.
In order to avoid having the procedure terminated, the lady tells her to remain silent during the procedure, even if she feels the worst sensations of anguish. She reassures her that, despite the fact that her fetus was already 12 weeks old, abortion was still an option.
Another woman who used bleach in this process is mentioned, and Annie is assured that she was more careful with her tools than the other ladies who used bleach.
The doctor warns Annie that if she does end up in a hospital, her life and her career would be over. We see Annie writhing in pain and crying out twice during the procedure despite her protests. The lady simply stares her down.
After the procedure is completed, the lady informs Annie that the abortion must be performed within 24 hours of the procedure being completed. While Annie waits, nothing comes of it.
Even though she knows it could lead to major bodily complications, she insists on going through it again with the woman. Later that night, she experiences a terrible agony and is forced to expel the fetus from her belly. When one of the girls spots Annie on the toilet, Annie tells her to get a knife and cut off the umbilical cord.
The other girl arranges for her to be transported to the hospital as soon as she arrives in her room, where she begins to suffer concussions and lose a lot of blood. After hearing the doctor diagnose the occurrence as a miscarriage, Annie passes out on the table.
As Annie heads back to her dorm to take her final exam, we see the film end. To avoid attracting attention to herself, she maintains a demure demeanor. Writing prompts are provided by the teacher and students are tasked with writing their own.
If Annie completed her schooling and pursued her desire of becoming a writer, we can conclude that she didn’t let her unanticipated pregnancy alter her plans.
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We see Annie and her friends trying on bras to see how much they can enhance the contrast between their breasts and their clothing. It’s a thrill to defy the more conservative, moralistic conventions of French culture in their own way, and to see what happens.
Bridgette even goes so far as to show Annie and Helene in their college room the hip movement that aids in sexual satisfaction. It is for these two reasons that Annie’s friends break up with her when she informs them she is pregnant and has decided to terminate the baby.
There were two reasons for this: one, they didn’t want to be linked with somebody who was morally dubious for having had sex, and secondly, abortion had been a deadly crime in France since the Vichy administration of World War II.
Anyone who helps a pregnant lady aborts her fetus will be imprisoned for their crimes. To protect others from forming negative opinions of their character and morality, Helene confides in Annie about her contact with a young kid throughout the summer.
Annie’s friends might have been among the more liberal and well-educated young people of their period in contemporary France, but they were nevertheless subject to the same cultural pressures that they were.